Sometimes, it's almost impossible to know where to begin. Watching cult auteur Ray Dennis Steckler's less-than-no-budget/dual-slasher mash-up The Hollywood Strangler Meets The Skid Row Slasher feels like a step back in time to the late 50s/early 60s, when ultra-cheap productions like The Creeping Terror and The Beast Of Yucca Flats were shot not only without sound, but with what sound
It's a toughie to sit through, for sure, but the cinéma vérité aspects and street sleaze are worth the price of admission.